Folktales are traditional fictional stories. Unlike works of original literary fiction, they are normally anonymous narratives that have been transmitted from one teller to another over an uncertain period of time, and have been shaped by multiple narrators into the form and style that are characteristic of oral narratives. The transmission of traditional tales is predominantly oral, but in literate societies such as Greece and Rome, transmission also takes place via written works.
“Folktale” is an umbrella term for a number of subgenres: the wonder tale (commonly known as the fairytale), the religious tale, the novella, the humorous tale (with its subforms the joke and the tall tale), the animal tale, and the fable. Since there was no ancient notion of folktales as such, no compilation of folktales exists from antiquity—only compilations of particular genres of folktales such as the fable and the joke.
Unlike myths and legends, folktales are narrative fictions, make no serious claim to historicity, and are not ordinarily accorded credence. They differ from myths and especially from legends in their handling of the supernatural.
In the modern use, “bisexuality” refers to sexual object choice, whereas “androgyny” refers to sexual identity. In ancient Greece and Rome, however, these terms sometimes refer to human beings born with characteristics of both sexes, and more frequently to an adult male who plays the role of a woman, or to a woman who has the appearance of a man, both physically and morally. In mythology, having both sexes simultaneously or successively characterises, on the one hand, the first human beings, animals, or even plants from which arose male and female, and on the other, mediators between human beings and gods, the living and the dead, men and women, past and future, and human generations. Thus androgyny and bisexuality were used as a tools to cope with one’s biological, social, and even fictitious environment.
Vladimir F. Stolba
Panskoye I is one of the most prominent and best-studied settlements in the rural territory of Chersonesus on the Tarkhankut Peninsula (north-western Crimea). Founded in the late 5th century
Erich S. Gruen
The Sibylline Oracles had a long life. The Sibyl was in origin a single Greek prophetess, renowned for the accuracy of her forecasts, divinely inspired, but portrayed as mad or raving, and regularly spewing forth dire forebodings. Additional Sibyls gradually sprang up in a variety of locations in the Mediterranean world, including the renowned Cumaean Sibyl whom Aeneas reputedly consulted. Sibylline prophecies were eventually collected in written form in Rome and used by Roman authorities to provide interpretation of unusual prodigies or natural disasters or to offer advice on significant matters of foreign entanglements and wars. Although that collection (insofar as it is historical) has long since disappeared, the voice of the Sibyl was reproduced in literary form. The extant Sibylline verses, composed in Homeric Greek hexameters, constitute twelve books of oracles, fashioned over a period of several centuries by numerous different and no longer identifiable hands. They constitute a motley assemblage of grim forecasts, historical references, apocalyptic visions, and denunciations of various peoples, especially Romans, for their abandonment of piety and indulgence in evil. The genre was appropriated by anonymous Jewish authors, speaking through the voice of the Sibyl, and employed to convey condemnation of cities and nations for the sins of idolatry, licentiousness, and a range of vices. Vivid portrayals of the end time and eschatological conflagration feature many of the texts. Subsequent Christian writers interpolated verses, added exaltations of Christ, and appropriated Sibylline pronouncements for their own ends. Others manipulated the oracles to record historical personages and events in the framework of prophetic pronouncements. The result was a complex and unsystematic compilation of reconstructed or fabricated prophecies ascribed to Sibyls but largely representing the ingenuity of Jewish and Christian compilers.